Crossroads (Eric Clapton album) (1988) Crossroads (mind.in.a.box album) (2007) Crossroad (Masami Okui album) (2002) Crossroad (Calvin Russell album) (2000) Crossroads (Sylver album) (2006) Crossroads (1986 soundtrack) Crossroads 2: Live in the Seventies (1996) Crossroads: 2010, an album by Bizzy Bone; Songs. Captured across two nights at Madison Square Garden, the Crossroads Guitar Festival offers a variety of legendary guitarists performing a mix of sultry blues, classic rock and country jams. [52], In 1959, producer Bobby Robinson signed James to his Fury/Fire/Enjoy group of labels. [2] Johnson recorded 22 songs for ARC over three days from November 23 to 27, 1936. [46] Together with refinements to some guitar parts, the differences serve to help further distinguish the second take from "Terraplane Blues" and give it more of its own character. [66] By combining elements of hard rock and blues, he adds it inspired "a new generation of blues-influenced artists". 4.7 out of 5 stars 197. [44], Cream recorded the song on November 28, 1966, for broadcast on the BBC Guitar Club radio program. In April 2013 he played at Madison Square Garden with his mentor Buddy Guy during the first … I just took it on a single string or two strings and embellished it. [5][6][7] The songs include "Terraplane Blues" (his first single and most popular record)[2] along with "Sweet Home Chicago" and "I Believe I'll Dust My Broom", which became blues standards after others recorded them. [51] The song was produced in a newer style that Modern used successfully for B.B. [42], ARC and Vocalion Records issued the first take of "Cross Road Blues" in May 1937 on the then standard 78 rpm record. [51] Flair Records, another of the Bihari brothers' Modern labels, released the single, backed with "Sunny Land". Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. From Wikipedia, the free encyclopedia Crossroads Guitar Festival 2010 is a concert film released on November 8, 2010 by the British rock musician Eric Clapton under Rhino Records and the Warner Music Group. Compilation double LP, released in 1972 by Polydor Records in the … [17] A crossroads is also where cars are more likely to slow down or stop, thus presenting the best opportunity for a hitchiker. [39] Both titled "Standing at the Crossroads", they feature James' trademark "Dust My Broom" amplified slide-guitar figure and a backing ensemble. [87], In 1986, Robert Johnson's "Cross Road Blues" was inducted into the Blues Foundation Hall of Fame. [46] This allows for greater variation and nuance in the vocal. [60][e], For the recording, Clapton developed an arrangement using lyrics from both songs with an adaption of the guitar line from the latter. [57] Unlike Elmore, however, he uses most of the lyrics from Johnson's second take, which had been first issued in 1961. [58] Boyd recalled that he and Clapton reviewed potential songs; Clapton wanted to record Albert King's "Crosscut Saw", but Boyd preferred to adapt an older country blues. maaliskuuta 1945 Ripley, Surrey, Englanti) on englantilainen muusikko, laulaja ja lauluntekijä.Claptonia pidetään yhtenä populaarimusiikin kaikkien aikojen merkittävimmistä kitaristeista. [33] However, Johnson infuses their relaxed urban approach with a more forceful rural one. [21] The first take of the song, which was used for the single, includes a fifth verse that is not included in the second take. [20] In the third and fourth sections, he expresses apprehension at being stranded as darkness approaches and asks that his friend Willie Brown be advised that "I'm sinkin' down". [44], The two takes of the song are performed at moderate, but somewhat different tempos. [8][9], A second and third recording date took place in San Antonio after a two-day break. [29][21] Writers Barry Lee Pearson and Bill McCulloch argue that the fifth verse in the single version captures the essence of the song: "left alone, abandoned, or mistreated, he stands at the crossroad, looking this way or that for his woman". [54] Studio musicians again provided the backup and the horn section included baritone saxophone by Paul Williams. [41] Additionally, the harmonic progression is often implied rather than stated (full IV and V chords are not used). The expanded version of Cream's Farewell Concert film released in 1977 contains the performance. The Cream of Clapton (1995) Crossroads 2: Live in the Seventies Pilgrim (1998) Crossroads 2: Live in the Seventies ist ein Box-Set-Kompilationsalbum des britischen Rockmusikers Eric Clapton. In Johnson's time, "cross road" was the preferred usage for "crossroads". In it he laments not having a "sweet woman" in his distress. [39] Music writer Dave Headlam elaborates on Johnson's rhythm: Meter itself is a compositional and performance device which comes in and out of focus in response to the fluid rthyms and changing accents in the lower beats. The Cream of Clapton (1995) Crossroads 2: Live in the Seventies (1996) In addition to profiling Clapton's solo work, the album also includes Clapton's involvement in the bands Cream, Blind Faith, and Derek and the Dominos. [3] El álbum recopiló su trabajo en solitario junto a su carrera dentro de los grupos The Yardbirds, John Mayall's Blues Breakers, Cream, Blind Faith, Delaney & Bonnie y Derek and the Dominos. [28] The second verse includes "the sun goin' down now boy, dark gon' catch me here", a reference to the "sundown laws" or curfew during racial segregation in the United States. The event at Madison Square Garden in New York City ran a little over three hours. [27], Blues historian Samuel Charters sees the song as having elements of protest and social commentary. Crossroads è un cofanetto, pubblicato nel 1988, che raccoglie quattro CD, nei quali viene ripercorsa la carriera musicale di Eric Clapton dal 1963 al 1987 con tutte le formazioni in cui Clapton ha militato nel corso della sua lunghissima carriera musicale: The Yardbirds, John Mayall & The Bluesbreakers, Cream, Blind Faith, Delaney & Bonnie & Friends, Derek and the Dominos e … 4.7 out of 5 stars 585. [41] Johnson uses a Spanish or open G tuning with the guitar tuned up to the key of B. [64] Winwood sings and Jones plays the riff on harmonica similar to what Clapton later used with Cream (Jones also provides the instrumental solo; Clapton plays rhythm guitar throughout the song). [80] During their 2005 reunion, Cream revisited the song at the Royal Albert Hall and it is included on the Royal Albert Hall London May 2-3-5-6, 2005 album and video. [65] After the Powerhouse session, Clapton continued playing with Mayall. Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues guitarist, singer, and songwriter.His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. [10] The material Johnson chose shows more variety than that for his first date and he reached back into his long-standing repertoire for songs to record. Schumacher also describes Winwood's vocals as differing from Cream's recordings. The Cream of Clapton ist ein Greatest-Hits-Album des britischen Rockmusikers Eric Clapton. [57], In early 1966, while still with John Mayall's Bluesbreakers, Eric Clapton adapted the song for a recording session with an ad hoc studio group, dubbed Eric Clapton and the Powerhouse. [90], AllMusic's Richard Gilliam identifies Cream's "Crossroads" as the first recording to bring Robert Johnson to the attention of popular music audiences and allow reissues of his original recordings to sell over a million copies. Hän saavutti mainetta kitaristina 1960- ja 1970-luvuilla yhtyeissä The Yardbirds, Cream ja Derek and the Dominos.Hän aloitti levytysuransa sooloartistina … [49] This take was also included on the 1990 Complete Recordings (at 2:29, it is 10 seconds shorter than the original 2:39 single version). [61][f] Biographer Michael Schumacher describes the Powerhouse's performance as slower and more blues-based than Cream's. Including both his band work (with the Yardbirds, John Mayall's Blues Breakers, Cream, Blind Faith, Delaney and … King and James' slide guitar was placed further back in the mix. To the 2007 audience, Clapton declared that each performer was one of the very best, and had earned his personal respect. 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